What are the cd’s that capella Amsterdam has made
Executive summary
Cappella Amsterdam’s recorded output exists and is documented across major discography and streaming services, but the provided reporting does not supply a single, complete list of CD titles; instead it points to authoritative catalogues — Discogs, Naxos, AllMusic, Apple Music, Deezer, Spotify and the choir’s own site — where individual releases and streaming editions are listed [1] [2] [3] [4] [5] [6] [7]. A handful of specific repertoire items appear in those listings (for example Pärt’s Kanon Pokajanen and various psalm settings), but assembling a definitive CD-by-CD enumeration requires consulting the discography indexes named in the sources [4] [7] [1] [2].
1. Where the CDs are documented and why that matters
The reporting consistently points to cataloguing platforms as the primary sources for Cappella Amsterdam’s recorded catalogue: Discogs hosts a full artist discography page that sells vinyl, CDs and more [1], Naxos lists recordings for sale and streaming and bills itself as a place to “Buy, stream, or download recordings performed by Cappella Amsterdam” [2], and AllMusic maintains album and track listings alongside reviews [3]; these outlets are the practical places to retrieve CD titles and release details when a concise list is required [1] [2] [3].
2. Representative CDs and repertoire flagged in the reporting
Although the sources do not provide an exhaustive, single-sheet list of CD titles, several specific recordings and repertoire items are cited: Apple Music’s Cappella Amsterdam page highlights works such as Psalmi Davidis poenitentiales, Secundus Psalmus Poenitentialis LV 795: Quoniam tacui, and Cantica sacra sex et octo vocibus including Omnia tempus habent [4], and the choir’s own site emphasizes recent projects such as a performance and recording of Arvo Pärt’s Kanon Pokajanen and collaborations on Stravinsky programmes and the St Matthew Passion under Daniel Reuss [7]; these references indicate both sacred and contemporary discs are part of the ensemble’s commercial output [4] [7].
3. Why a definitive CD list cannot be extracted solely from the supplied snippets
The supplied reporting is fragmentary: most snippets identify where Cappella Amsterdam’s discography can be browsed (Discogs, Naxos, AllMusic, streaming services) but do not enumerate all CD titles, release dates, labels or catalogue numbers in a single place that can be cited here [1] [2] [3] [5] [6]. As a result, any attempt here to publish a comprehensive CD list would risk omission or error unless each platform’s full discography pages and label catalogues are checked directly [1] [2].
4. How to obtain a complete, authoritative CD list and what to expect
To compile an authoritative CD list, consult Discogs for user-curated release entries and physical-format details [1], check Naxos and Harmonia Mundi for label-issued recordings and catalogue entries [2] [8], and cross-reference with AllMusic for editorial context and Apple Music/Spotify/Deezer for streaming editions and track lists [3] [4] [5] [6]; the choir’s official site and label pages will often document recent projects and links to releases such as the Pärt recording mentioned on the ensemble’s homepage [7] [8]. Where discrepancies appear between user-contributed databases and label catalogues, give precedence to label pages and the choir’s own discography notes for release dates and catalogue numbers [8] [7].
5. Alternative viewpoints and potential agendas in the sources
User-driven databases like Discogs are comprehensive but can include unofficial or varying-format editions and reissues [1], while label and streaming pages prioritize what is currently in commercial circulation and may omit older or out-of-print CDs; Harmonia Mundi and Naxos present curated label perspectives that promote their catalogue and may emphasize recent or label-specific releases [8] [2]. Both types of sources are necessary: one for breadth (Discogs) and one for authoritative release metadata (label sites and the choir’s official announcements) [1] [8] [2].