Are the male figures in 'Nobody's Girl' drawn from historical or contemporary real-life models?

1. Which "Nobody’s Girl" are we talking about? — Multiple works, multiple contexts

Reporting in the provided sources makes clear "Nobody’s Girl" is not a single, unified work: Virginia Giuffre’s memoir "Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice" is a posthumous book tied to the Jeffrey Epstein saga ^{[2] [1]}, while Tate McRae’s "Nobody’s Girl" is a 2025 pop song and video that appears on a deluxe album ^{[4] [5]}. Other uses of the title include Amanda Shires’ album and songs with the same name in 2025 coverage ^{[6] [7]}. Any claim about male figures being modeled on real people must specify which "Nobody’s Girl" is meant (not found in current reporting).

2. Virginia Giuffre’s memoir — men in the book are tied to real-life allegations

Critical reviews and excerpts of Giuffre’s memoir treat it as a factual account of her life and legal fights; the book explicitly places her story in the Epstein/Maxwell network and connects to public scrutiny of men alleged to be involved, including prominent named figures like Prince Andrew and mentions adding "only one figure to the list" described as an unnamed former prime minister ^{[1] [2]}. In short, reporting shows the memoir does use real-life persons and allegations as central elements ^{[1] [2]}.

3. Tate McRae’s song — personal inspiration, not legally identified models

Coverage of Tate McRae’s "Nobody’s Girl" treats the track as a personal breakup anthem; outlets note the lyrics feel autobiographical and fans have speculated the song targets a recent ex (including conjecture about The Kid Laroi), but McRae has not publicly identified a real-life male model in the cited coverage ^{[3] [4]}. Rolling Stone and UPI describe the song and its visuals without asserting that the male figures are drawn from specific, named real people ^{[5] [4]}.

4. Amanda Shires’ "Nobody’s Girl" — artistic, reflective, not reportage of real men

Interviews and album announcements around Amanda Shires’ "Nobody’s Girl" frame it as work about reclaiming identity and rebuilding after upheaval; coverage focuses on the album’s emotional landscape and collaborators rather than identifying male figures modeled on real individuals ^{[6] [7]}. Available articles present the record as personal art, not a name-and-accuse memoir ^{[6] [7]}.

5. What the sources explicitly say — named accusations vs. artistic ambiguity

Book reviews and reporting make explicit that Giuffre’s memoir contains allegations about real, powerful men connected to Epstein and that it helped accelerate public consequences for at least one figure ^{[2] [1]}. By contrast, music coverage of Tate McRae and Amanda Shires treats male figures as part of personal storytelling or video symbolism and does not report direct, named real-life models ^{[4] [5] [6]}.

6. Limitations and where reporting is silent

Available sources do not mention any definitive claim that Tate McRae or Amanda Shires drew the male figures in their "Nobody’s Girl" works from specific, legally identifiable real-life models; fan speculation exists for McRae but reporters do not confirm it ^{[3] [4]}. If you mean Giuffre’s memoir, reporting confirms the use of real-life figures and allegations tied to Epstein and associates, including discussion of specific effects on public figures ^{[2] [1]}.

7. How to proceed if you need a firm answer

If you want a definitive attribution for a specific "Nobody’s Girl," tell me which work you mean — Giuffre’s memoir, McRae’s song, Shires’ album, or another — and I will summarize exactly what the cited coverage says about named or unnamed male figures in that particular work (not found in current reporting otherwise).