How did Paolo Zampolli and Metropolitan Models shape the careers of Eastern European models in the 1990s?

Checked on January 24, 2026
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Executive summary

Paolo Zampolli, an Italian-born agent who worked with Metropolitan Models and founded ID Model Management in New York in the mid-1990s, was a visible conduit for Eastern European talent into the U.S. market and played a practical role in some high-profile arrivals such as Melania Knauss (now Trump) [1]. Reporting and commentary from the period and later investigations argue that his agencies and showroom practices both opened opportunities for those models and participated in a marketplace that exposed many to exploitative intermediaries and visa maneuvers [1] [2] [3].

1. Zampolli’s institutional footprint: Metropolitan, ID Models and market access

By the mid-1990s Zampolli had established himself in New York’s fashion scene—working for Metropolitan Models and later founding ID Model Management—which placed him in the middle of scouting, placing and promoting foreign models in the U.S.; contemporary profiles and biographical summaries credit him with running a New York office and creating a showroom division that supplied models for designers and events [1] [4].

2. The Eastern European influx and the promises offered

Multiple accounts describe a post–Cold War flow of Eastern European women into Western fashion markets; Zampolli and agencies like Metropolitan/ID were part of that demand network, recruiting photogenic young women who sought exit routes and careers in modeling, which agencies framed as professional opportunities and a ticket to economic mobility [2] [1].

3. Mechanisms: showrooms, “people” divisions and cross‑industry placement

Zampolli’s firms reportedly ran a People or showroom division—lower-tier but highly visible work that placed models into designer showrooms, promotional events and nightlife circuits; those placements created both runway and commercial exposure and pathways into adjacent work, including using models as “human decorations” at club and promotional events, a practice Zampolli himself discussed in interviews [1] [2].

4. Visa facilitation, controversy and competing narratives

Several sources allege Zampolli “cornered the visa angle,” using U.S. immigration loopholes to bring foreign models to the U.S., and link that practice to an industry pattern that sometimes involved misrepresentation of work purposes [3]. Public biographies and contemporaneous reporting specifically credit Zampolli with bringing Melania Knauss to the U.S. in 1996, a widely cited instance that sits at the intersection of recruitment, visa paperwork and elite social circulation [1] [4]. At the same time, the record in these sources mixes first‑person claims, biographical notes and later critical accounts, so the practices alleged by investigative commentators coexist with agency statements framed as routine talent representation [1] [2] [3].

5. Exposure to exploitation: industry context and responsibility

Investigative and journalistic pieces place Zampolli’s operations inside a larger pattern in the 1990s where demand for Eastern European models intersected with predatory actors—most prominently the scandals around figures such as Jean‑Luc Brunel and Jeffrey Epstein—creating routes by which young models could be funneled into exploitative situations; commentators argue that agencies’ practices, including loose reliance on promoters and evening placements, increased vulnerability even when agencies provided initial access [3] [5] [2].

6. Outcomes for careers: gateway and gatekeeping

The net effect described across sources is dual: Zampolli and Metropolitan/ID opened doors that would not otherwise have existed for many Eastern European models—providing auditions, showroom work and industry introductions—while the same systems, lacking robust protections, functioned as gatekeepers that sometimes led models into precarious or exploitative roles beyond conventional modeling assignments [1] [2] [3].

7. Limits of the public record and contested interpretations

Source material consists of agency biographies, interviews, opinion and investigative pieces that sometimes conflate industry practice with criminal exploitation; while multiple sources tie Zampolli to recruitment and to facilitating high‑profile arrivals, definitive legal findings about systemic criminality involving Zampolli specifically are not presented in the provided reporting, so conclusions must distinguish documented agency activity from broader allegations about industry abuse [1] [3] [2].

Want to dive deeper?
What was ID Model Management’s roster and track record for placing Eastern European models in major fashion campaigns in the 1990s?
What immigration mechanisms (visas, contracts) did modeling agencies commonly use in the 1990s to bring foreign talent to the United States?
How did investigative reporting link modeling agencies to exploitation cases involving Eastern European models during the 1990s and early 2000s?