Which real people and organizations are accused in Fall of the Cabal?
Executive summary
"The Fall of the Cabal" is a multi-part documentary series created by Dutch producer Janet Ossebaard (and distributed via FallCabal channels) that accuses an amorphous network of “elite” people and organizations — often labeled the “Cabal” or “Deep State” — of long-running global manipulation, including claims of media control, financial domination, and sordid criminal conspiracies such as widespread pedophilia and satanic ritual abuse [1] [2] [3]. The project’s creators and supporters continue to publish sequels and companion material (at least 10 parts originally, with many follow-ups), while critics say the series recycles debunked narratives such as Pizzagate and relies on unverified or anecdotal evidence [2] [3] [4].
1. Who the series explicitly accuses: a diffuse “elite” rather than a short list of named individuals
The central allegation in Ossebaard’s narrative is that a small group of elites — often referred to interchangeably as the “Cabal,” “Deep State,” or global power structures — manipulate world events via financial systems, mainstream media control, political influence, and military-industrial interests [1] [5]. The series frames responsibility as structural and transnational: “the Cabal” is described as a network of powerful institutions and wealthy persons rather than a single, narrowly defined membership list [5] [6].
2. Specific criminal accusations featured in the series
A significant portion of the documentary focuses on allegations of widespread pedophilia and satanic ritual abuse within the alleged Cabal — claims the series presents as central to its exposé [3]. Critics and countersummaries highlight that these are serious charges presented in the series but note the documentary frequently relies on anecdote, unverified reports, and sources that mainstream outlets and law enforcement have previously discredited [3].
3. Repetition of previously debunked conspiracy narratives
The series repurposes elements of earlier conspiracy movements. For example, it echoes tropes from Pizzagate — the false claim that a Washington, D.C., pizzeria was a front for a child-trafficking ring involving prominent Democrats — which was widely debunked by mainstream media and law enforcement. Reporters say “Fall of the Cabal” perpetuates these falsehoods, contributing to misinformation and harassment online [3].
4. Creators, distribution and scale of the project
Janet Ossebaard is repeatedly identified as the creator of the original 10-part series; the project has an official website and affiliated channels run by Cynthia (or Cyntha) Koeter and FallCabal, which promote sequels, spin-offs and a growing catalog of material — the creators claim dozens of related documentaries are available [1] [2] [4]. Supporters and sympathetic platforms such as “Great Awakening” outlets also host the material and summarize its claims [5].
5. How watchdogs and critics describe the series
Extremism monitors and media critics place “Fall of the Cabal” in the broader ecosystem of conspiracism. Independent analyses caution that the series promotes a monolithic view of “elite” control while encouraging distrust of mainstream institutions; the Anti-Defamation League’s extremism tracking includes pages on the content’s influence, and journalistic summaries stress the heavy reliance on unverified sources [7] [3]. Available sources do not mention systematic legal follow-ups that substantiate the documentary’s core criminal claims.
6. Audience, amplification and the documentary’s persistence
The creators have actively expanded the franchise with “Part 2,” “the Sequel,” and a “Conclusion,” targeting both established followers and new viewers — including youth-oriented summaries on Substack and Telegram — suggesting deliberate efforts to institutionalize the narrative and maintain an audience [8] [4]. Alternative platforms and sympathetic newsletters amplify the series, keeping its claims in circulation even as mainstream outlets and fact-checkers dispute them [5] [3].
7. What reporting does not show and key limitations
Available sources document the accusations made by the documentary and the identities of its producers and platforms [1] [2] [8]. Available sources do not mention independent, verifiable evidence or court-confirmed findings that substantiate the documentary’s major claims of an organized, global criminal conspiracy led by named elites; nor do they present law‑enforcement convictions that mirror the scope of the allegations [3]. Critics argue the series mixes documented facts about elite influence with unverified and debunked allegations, producing a narrative that demands careful source-level scrutiny [3].
In sum: “Fall of the Cabal” accuses a broad swath of unnamed elites and institutions of global malevolence and includes explicit criminal charges such as organized child abuse; the series is the work of Janet Ossebaard and affiliated channels [1] [2], but reviewers and watchdogs warn it relies heavily on anecdote and recycled, debunked claims [3] [4].