Who is Lisa Noelle Voldeng and what is her track record as a publisher or journalist?
Executive summary
Lisa Noelle Voldeng is a Canadian writer and publisher who operates multiple Substack newsletters and a personal brand site under Ultra‑Agent Industries; she is best known for the Substack publications "Outlaws of Chivalry" and "Ultra‑Future" and for posting audio material that has circulated widely online in early 2026 [1] [2] [3]. Her public persona is that of a multifaceted creator and small‑press publisher who frames her work around themes of honor, culture and advocacy, but the materials she has published — particularly unverified audio testimony tied to high‑profile abuse allegations — have drawn scrutiny and raised questions about sourcing and verification practices [4] [5] [6].
1. Public identity and platforms
Voldeng markets herself as a creative entrepreneur: her corporate site lists Ultra‑Agent Industries, multiple brands (Outlaws of Chivalry, UltraFuture, Knight League) and a portfolio of projects spanning books, apparel, media and other ventures, presenting her as a Canadian businesswoman and author based on Vancouver Island [4] [7] [8]. She maintains active Substack profiles for at least two named newsletters — "Outlaws of Chivalry" and "Ultra‑Future" — where she publishes commentary and longer pieces and where her account name appears as @lvoldeng [1] [2] [3].
2. Recent notoriety: hosting explosive audio
In early January 2026 Voldeng’s Substack became the distribution point for audio attributed to a man identified as Sasha (or Sascha) Riley alleging extreme abuse linked to the Jeffrey Epstein network; her publication and promotion of those recordings is the proximate cause of her elevated public profile and the debate around her methods [5] [9]. Multiple news outlets and aggregators note that the audio and accompanying claims were unverified at the time of reporting and that they circulated via Substack and social media rather than through established newsrooms or court filings [9] [5].
3. Editorial posture and statements
Voldeng has framed some of her publishing decisions in activist terms: she has written about contacting allies, church, police and government officials after interviewing Riley and has posted statements urging people to "believe all the victims" as an ethical posture for publishers handling survivor testimony [6] [10]. Her own Substack posts include emphatic and graphic language about abuse and conspiratorial framing of mainstream media narratives, which signals a publisher approach that mixes advocacy, moral certainty and raw testimonial material rather than restrained, verification‑first reporting [11] [12].
4. Track record as a publisher and journalist
The available record portrays Voldeng primarily as an independent publisher and commentator rather than a journalist embedded in mainstream institutional newsrooms: her portfolio lists entrepreneurial creative ventures and products, while her Substack activity shows editorial promotion, curation and commentary on sensitive topics [7] [2]. Mainstream coverage to date describes her role as a distributor of material that has not been independently corroborated by courts or major news organizations, and outlets explicitly note the lack of confirmation for the most sensational claims appearing on her platform [9] [5].
5. Credibility, verification and public scrutiny
Because the high‑profile audio she posted was unverified at the time it spread, critics and some reporters have questioned Voldeng’s sourcing, vetting and decision to publish graphic testimony without what mainstream outlets would call independent corroboration; at the same time, supporters argue that publishing survivor accounts can prompt official investigation when mainstream institutions are slow to act — a tension visible in the coverage [9] [6] [5]. Public threads and trending discussions note both the ethical imperative she invokes and the potential harms of amplifying unverified allegations, but the sources provided do not include independent audits of her sourcing process or an institutional journalism résumé to resolve those disputes [10] [5].
6. What is known, and what remains unreported
What can be stated from available sources is straightforward: Voldeng is a Canadian‑based Substack publisher and entrepreneur who runs named publications and a portfolio site and who posted audio testimony that has become a focal point online; what cannot be determined from the cited reporting is the complete provenance of those recordings, the extent of her prior journalistic experience inside legacy newsrooms, or independent verification of the specific allegations contained in the audio — reporting so far has documented distribution and context but not definitive corroboration [1] [4] [9] [5].