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Fact check: Did president trump post a video of him flying a jet dropping poop on people in NYC?

Checked on October 26, 2025

Executive Summary

President Trump posted an AI-generated video on Truth Social depicting himself piloting a fighter jet and dropping a brown substance described as excrement or brown sludge onto protesters, including footage of a left-leaning influencer at a "No Kings" rally; multiple news outlets and fact-checkers reported the clip was shared in mid‑October 2025 (Oct. 18–20) and identified the content as AI‑manufactured [1] [2] [3]. Coverage agrees on the core factual claim — the video was posted and showed simulated poop‑bombing — while outlets differ slightly on city references, music licensing, and framing of intent [4] [5].

1. The Viral Claim and What Happened Next — A Provocative Post That Spread Quickly

Multiple fact‑checks and mainstream news reports confirm that President Trump shared an AI‑generated clip on his Truth Social account showing him in a fighter jet scattering a brown substance onto demonstrators at a "No Kings" protest; outlets date the post to October 18–20, 2025 and describe the substance as apparent human excrement or brown sludge [1] [3]. Coverage notes the video included real footage of at least one Democratic social media influencer at the rally, intercut with manipulated imagery of urban flyovers and faux defecation, which accelerated social media circulation and prompted takedown requests from rights holders cited in reports [2] [3].

2. Evidence and Source Alignment — Multiple Outlets, Same Core Facts

Independent fact‑checkers and national outlets uniformly report the AI origin and the presence of simulated feces, providing strong cross‑source corroboration of the central claim that Trump posted a poop‑bomb video; the descriptions are consistent across pieces published October 18–21, 2025 [1] [4]. Differences among reports are limited to peripheral details: some articles emphasize the use of the "Danger Zone" soundtrack and subsequent licensing complaints, while others focus on the political targeting of the "No Kings" protesters or whether New York City specifically appears in the flyover shots [2] [3] [5].

3. Location Claims: New York Mentioned, But Not Always Central in Reporting

Several reports reference major American cities being depicted in the video, with at least one outlet explicitly noting New York City imagery, but not all pieces treat NYC as a verified, central fact; some frame the urban flyovers generically as "major cities" without documentary confirmation that the poop drop occurred over New York specifically [5] [6]. This variation signals that while the video showed multi‑city visuals and included recognizable urban footage, the exact geotagging of the simulated dump is not uniform across sources, and some articles limit claims to the video’s depiction rather than asserting an actual event occurred in NYC.

4. Music, Rights, and Reaction — A Tangible Secondary Storyline

News coverage highlighted the use of Kenny Loggins' "Danger Zone" in the clip, noting that the artist or rights holders sought removal after the post, which provides an independent cue about how mainstream cultural elements were woven into the AI montage and prompted downstream actions [3]. That development reinforces reporting that the post blended fabricated imagery with real media elements to increase recognizability and impact, and it illustrates practical consequences — takedown requests and public statements — that followed the circulation of the manipulated video.

5. Why Multiple Outlets Flagged AI — Manipulation, Not Reality

Every examined source classifies the clip as AI‑generated or manipulated, framing it as a created provocation rather than documentary footage of an actual presidential flight or real dumping of waste over crowds [1] [4]. This consensus is crucial: the core fact is not that a jet physically released excrement over protesters in New York, but that a digitally fabricated video depicting that act was posted by the president’s account, which matters for legal, ethical, and political analyses of elected‑official communications.

6. Political Framing and Coverage Differences — What Each Outlet Emphasized

Some pieces foregrounded the post as part of a pattern of using AI imagery to attack political opponents and mobilize supporters, placing the clip in a broader strategy context; others prioritized the sensational visual, entertainer complaints over music use, or the identification of the targeted influencer [4] [6] [5]. These editorial choices reflect differing institutional priorities: fact‑checkers aim to verify content origin, national outlets examine political implications, and culture reporters track intellectual‑property fallout, so readers get complementary but not identical emphases.

7. Bottom Line and Missing Threads — What Reporters Could Add

The assembled reporting establishes that President Trump posted an AI‑made video of himself piloting a jet and dropping simulated feces on protesters, with the post dated mid‑October 2025 and widely reported by fact‑checkers and mainstream outlets [1]. Remaining open questions that many articles do not fully resolve include definitive geolocation of every depicted city frame, the production chain behind the AI footage, and any platform moderation outcomes beyond music‑rights complaints; those gaps matter for accountability and future policy discussions about AI‑generated political content.

8. What This Means Going Forward — Fact, Fiction, and Policy Stakes

The incident illustrates how AI tools can produce provocative political imagery that blurs lines between satire and targeted harassment, triggering legal, reputational, and moderation responses across platforms; multiple reports documenting the post and subsequent reactions create a clear factual record of the event as a published AI‑generated provocation in October 2025 [2] [4] [3]. Policymakers, platforms, and newsrooms will likely point to this case when debating labeling, takedown standards, and candidate conduct rules, since the documented posting demonstrates real‑world consequences of synthetic media even when the depicted acts never occurred in reality.

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