What is the origin of the blood libel myth in Jewish history?

Checked on February 1, 2026
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Executive summary

The blood libel — the false accusation that Jews murder non‑Jews to use their blood in religious rites — has roots in ancient slanders but crystallized as a medieval European anti‑Jewish trope in the 12th century and has been repeatedly repurposed for religious, political and racist ends into modern times [1] [2]. Scholars trace echoing precedents in Hellenistic and late‑antique accusations but emphasize there is no simple, direct line from those earlier fabrications to the medieval ritual‑murder charges that sparked pogroms and legal persecution [1] [3].

1. Ancient echoes: Hellenistic and late‑antique slanders

Classical polemics contained tales of ritual murder that predate Christianity’s spread: Apion and other Hellenistic writers were accused of propagating stories about Greeks being sacrificed in Jewish temples, a claim that Jewish historian Josephus recounts and refutes in Against Apion [1] [2]. Some sources also note that late‑antique writers like Tertullian recorded or recycled accusations aimed at religious minorities — including Christians first, according to certain readings — showing the motif of ritualized killing circulated as a rhetorical weapon long before medieval Europe [3].

2. Medieval formation: Norwich, crusaders and the 12th‑century surge

The form of the blood libel familiar in later history first coalesced in 12th‑century Europe, most famously around the death of William of Norwich, after which local Jews were blamed and a martyr cult grew — an incident historians treat as the template for later accusations [1] [2]. The phenomenon intensified after the First Crusade, when heightened religious fervor, fears about Jews’ alleged role in Christ’s death, and social upheaval produced fertile ground for ritual‑murder accusations across England and continental Europe [2] [4].

3. Institutional dynamics and competing incentives

The spread and persistence of the libel were not purely spontaneous: converts, ecclesiastical actors and local elites could amplify charges for doctrinal, economic or reputational reasons — for example, church competition to cultivate saintly cults and the income they generated, or agitators like converts who denounced Jewish texts — and councils such as Lateran IV created segregating frameworks that made Jews more vulnerable to prosecution [3].

4. Legal pushback and persistent popular power

Formal repudiations occurred even in the Middle Ages — Pope Innocent IV explicitly denounced the blood‑libel canard in 1247 — yet papal condemnations did not erase the trope from popular culture, literature and local practice, which continued to endanger Jewish communities [4] [2]. Medieval art and storytelling from Chaucer to popular martyr cults kept the motif alive in the public imagination [2] [5].

5. Modern mutations: race, propaganda and the Holocaust

By the 19th and 20th centuries the blood libel shed some of its ostensible theological form and was racialized and politicized; it was invoked by modern antisemites and incorporated into state propaganda, most notoriously by Nazi publications such as Der Stürmer, and adapted again in Holocaust‑era and post‑war contexts to justify violence and exclusion [6] [7]. In some cases the trope resurfaced in local scandals and trials well into the 20th century, including Eastern Europe and the Ottoman world [1] [6].

6. Global persistence and contemporary uses

The trope survives in contemporary media and political contexts: state and popular outlets in parts of the Middle East have broadcast modern versions of ritual‑murder myths and conspiratorial narratives linking Jews to global domination and ritual crimes, demonstrating how adaptable and enduring the libel remains outside its medieval origins [2] [3]. Anti‑defamation groups and historians caution that even when transformed, the story performs the same social work: dehumanizing Jews and rationalizing exclusion or violence [8] [9].

7. Historians’ debate and the limits of continuity claims

Scholars caution against a simplistic continuous genealogy from Apion to medieval Europe: while motifs of human‑sacrifice accusation recur across time, there is no uncontested direct transmission proving the Hellenistic tale caused the 12th‑century libels; instead, historians point to changing local circumstances — crusading zeal, economic tensions, ecclesiastical politics — as key agents in the medieval emergence [1] [3]. Existing sources support the broad arc described here but cannot supply an unbroken chain tying ancient stories to every later episode [1].

Want to dive deeper?
How did medieval European courts and kings respond officially to blood libel accusations?
What role did literature and art play in spreading and normalizing blood libel motifs in Europe?
How have modern states and media repurposed the blood libel trope in the 20th and 21st centuries?